Strategy: interpreting success Your vision and mission describe your dream. Your dream determines your commitment.
First aid when the going gets tough It’s good to question yourself and self-doubt is common to everyone.
A place to work: rehearsal rooms, studios, workplaces and residencies Everyone wants a workplace where you can rehearse and create in peace.
25 routes to a sustainable international arts practice Kill your darlings and call things by their names. Discover the 23 other tips.
Working internationally: Pros and cons Choosing to work internationally has several motives. We take a look at some of them.
What does sustainable internationalisation mean? Flanders Arts Institute has developed 25 routes to a sustainable international art practice.
How can I communicate gender-inclusively? Gender-inclusive communication contributes to reducing gender stereotypes and promotes gender equality.
Anti-ableist work in the arts: tools and advice Through this article, we provide tools for an anti-ableism policy.
Anti-ableist work in the arts: programming and communication How do you consistently programme and curate artists with disabilities in your institution? And how do you communicate about this?
Why should you work internationally? Working internationally requires an investment, not only in financial resources, but also in time and patience.
How can policy help you when working internationally? Which subsidies are available for working internationally?
How do you build up an international network? Invest in sincere contacts with curators, programmers to fellow artists abroad.
Copyright and archive material What can and may be done with archive material pursuant to copyright law?
Is using an open call a good idea for your organisation? Before working out an open call, it is good to reflect on the following questions.
Is an open call something for you and your career? How do you check whether an open call is for you? Look at these tips and tricks to help you.
